This post is written by Rachel Unkovic, an aid worker, artist and oral historian. This is the third post in a serial, you can read the first post here and the second one here.
A Series of Facts about Edith Wharton, for Aid Workers.
Part III
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27.) I read The Age of Innocence in the summer of 2013, while working at the Akçakale–Tal Abyad border crossing.
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28.) The Age of Innocence is not about war, yet Edith wrote it after experiencing a war.
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29.) The Age of Innocence is not violent or cruel, like its predecessor, The House of Mirth, yet Edith wrote it after witnessing violence. She wrote it after seeing the impact of human cruelty on the bodies of women, men and children. From the war, Edith—an expat, always more privileged, always safer—didn’t shrink into cynicism but grew her own capacity for generosity.
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30.) One day in late August 2013, I was curled up with the book in a dusty plastic chair in no-man’s-land between Turkey and Syria, waiting for a drug shipment to clear the crossing, bound for three health centers. Gunshots shattered the air. They were close as fuck. Surrounding me, security men whipped out their Nokias, texting furiously to Continue reading →
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