A Series of Facts about Edith Wharton, for Aid Workers. Postscript.

This post is written by Rachel Unkovic, an aid worker, artist and oral historian. This is the final post in a serial, to follow along read:

…the first post here

…the second post here

…and the third post here.

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A Series of Facts about Edith Wharton, for Aid Workers.

Postscript.

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35.) Edith Wharton was awarded a Pulitzer Prize for literature for The Age of Innocence. She was the first woman in the history of the prize to win one. Continue reading

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A Series of Facts about Edith Wharton, for Aid Workers. Part III.

This post is written by Rachel Unkovic, an aid worker, artist and oral historian. This is the third post in a serial, you can read the first post here and the second one here.

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Edith Wharton with WWI soldiers. Source: The US WWI Centennial Commission website

A Series of Facts about Edith Wharton, for Aid Workers.

Part III

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27.)  I read The Age of Innocence in the summer of 2013, while working at the AkçakaleTal Abyad border crossing.

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28.) The Age of Innocence is not about war, yet Edith wrote it after experiencing a war.

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29.) The Age of Innocence is not violent or cruel, like its predecessor, The House of Mirth, yet Edith wrote it after witnessing violence. She wrote it after seeing the impact of human cruelty on the bodies of women, men and children. From the war, Edith—an expat, always more privileged, always safer—didn’t shrink into cynicism but grew her own capacity for generosity.

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30.) One day in late August 2013, I was curled up with the book in a dusty plastic chair in no-man’s-land between Turkey and Syria, waiting for a drug shipment to clear the crossing, bound for three health centers. Gunshots shattered the air. They were close as fuck. Surrounding me, security men whipped out their Nokias, texting furiously to Continue reading

A Series of Facts about Edith Wharton, for Aid Workers. Part II.

This post is written by Rachel Unkovic, an aid worker, artist and oral historian. This is the second post in a serial, you can read the first post here.

800px-Edith_Newbold_Jones_Wharton

Photograph of Edith Wharton, taken by E. F. Cooper, at Newport, Rhode Island. Courtesy of the Beinecke Rare Book & Manuscript Library, Yale University. Source: Wikimedia Commons

A Series of Facts about Edith Wharton, for Aid Workers.

Part II

16.) Edith published The House of Mirth in 1905. Picture it: 1890s New York City. Lily Bart, 29 years old and beautiful, becomes embroiled in romantic scandal. She spirals into a tailspin, descending from New York City elite to the margins of society, where she dies, impoverished, in a delirium of drugs, suicidal, clutching an imaginary child to her breast—drowned by beauty and cruelty.

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17.) The House of Mirth has been called “a vicious indictment of a morally corrupt upper class”. It was the world that Edith had been born into. Her rage flashed and scorched.

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18.) The House of Mirth was very successful.

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19.) Edith divorced her husband in 1913. She left for Europe to wash him off her skin.

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20.) June 1914. World War I erupted. As other Americans fled, Edith stayed in Paris. She joined up, first as a funder, later as an organizer, with a group of aid workers. In August, they opened up a house where war-affected women could access food, work and cash.

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21.) Towards Christmas, as refugees poured into the Paris, Edith and her friends Continue reading

A Series of Facts about Edith Wharton, for Aid Workers. Part I.

This post is written by Rachel Unkovic, an aid worker, artist and oral historian. This is the first post in a serial–stay tuned for more.

The Age of Innocence ?1788 by Sir Joshua Reynolds 1723-1792

“The Age of Innocence” from which Edith Wharton derived the title of one of her books. Painted by Sir Joshua Reynolds, it was commissioned as a character study or ‘fancy picture’. Source: Tate (check out their website for more interesting stories about the painting itself)

A Series of Facts about Edith Wharton, for Aid Workers.

Part I

1.) Edith Newbold Jones was born on 24 January 1862 in New York City to a mother, a father, and two much older brothers.

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2.) The Civil War was raging. It depreciated American currency. Her mother and father whisked their three children off to Europe where their money meant more.

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3.) Edith was privileged as fuck. If you have heard the phrase “Keeping up with the Joneses” and wondered to whom it refers, allow me to introduce to you Edith’s father, George Fredric Jones, and her mother, Lucretia.

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4.) Toddler Edith would hold a book in her hands and pretend to read it out loud, making up stories, flipping pages periodically as if the stories were there on the ink and not just in her mind.

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5.) She was admonished that reading was fine, but writing was certainly not the occupation of a proper young lady.

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6.) In Europe, Edith learned to read English, French, German and Italian fluently.

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7.) Age 11, finally back in Continue reading

Policy, practice, and poetry

This post is written by Jennifer Lentfer. Jennifer is the creator of the blog how-matters.org and Director of Communications at Thousand Currents. This week, she joins 21 other diverse speakers at Healing Solidarity, a free online conference posing critical questions about healing, inequity, exhaustion, and challenging power structures in international aid and development. Join the conversation at healingsolidarity.org and follow #HealingSolidarity.

Practice-Solidarity

People are waking up to big issues in international aid. Now what?  Image from the Association for Women’s Rights in Development (AWID) #PracticeSolidarity campaign 

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A journalist recently asked me, “Do you know anyone who would be willing to go on the record as resistant to change?”

“Good luck,” I thought. Institutional bodies are adept at portraying its leaders as on trend and non-controversial, and no self-respecting do-gooder is going to oppose more racial and gender diversity outright at this time in our history. However I constantly encounter “good people” who may or may not be aware of the white privilege and supremacy that runs through aid institutions, or who haven’t developed the personal resiliency to talk openly about the historical origins of our sector and the political and identity-driven realities that affect every aspect of our day-to-day work.

Policies that support diversity and inclusion are in place. What we now have to shift is the practice. For people with positional power and for those with privilege, this may  Continue reading

Whose truth is it anyway?

This post is written by an anonymous Missing in the Mission blogger.

Post-truth. Fake news. Alternative facts. As I look back at my diary from early 2016, it’s striking how much my landscape has changed; pre-Brexit, pre-Trump, I could describe the world around me, I knew what I was advocating for and my words worked. There were some touchstone certainties, however painful some of them were, and a trust, and shared understanding, in the words that described them. I was writing an alternative world into being, a different vision, but I was starting from somewhere else.

‘Elite’ evidently no longer means resourced, connected, networked, privileged, advantaged. From its use in recent months, it seems ‘elite’ now means has ideas, shares ideas, thinks about things, values creativity and art. By this definition, most of the women I have worked with in humanitarian crises are elite, though the opportunities they have to act on any of their thoughts and ideas are so constrained they barely exist, and saying those thoughts out loud could easily get them killed. Events are reported as Continue reading

Cake & commitment

It’s been a long time since our last post. So long, we considered closing our proverbial doors—with a big thanks to all of you for sharing your words, and reading and sharing the words of others.

It was at that very moment that a post first sent in February re-surfaced, after a deep-dive to the hidden corners of gmail, where it lay dormant for 9 months. The author is still eager to share it and the piece (unfortunately, given the subject) is still relevant. Online next week.

Next, a fierce woman street artist reached out to offer her artistic services to design a logo + some merchandise for Missing in the Mission. In time for the holidays, with the idea of raising money for a cause of our choice. Stay tuned.

And an experienced aid worker, on her way back from responding to the Rohingya crisis in Bangladesh, asked if she could share Continue reading