A Series of Facts about Edith Wharton, for Aid Workers. Postscript.

This post is written by Rachel Unkovic, an aid worker, artist and oral historian. This is the final post in a serial, to follow along read:

…the first post here

…the second post here

…and the third post here.

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A Series of Facts about Edith Wharton, for Aid Workers.

Postscript.

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35.) Edith Wharton was awarded a Pulitzer Prize for literature for The Age of Innocence. She was the first woman in the history of the prize to win one. Continue reading

A Series of Facts about Edith Wharton, for Aid Workers. Part III.

This post is written by Rachel Unkovic, an aid worker, artist and oral historian. This is the third post in a serial, you can read the first post here and the second one here.

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Edith Wharton with WWI soldiers. Source: The US WWI Centennial Commission website

A Series of Facts about Edith Wharton, for Aid Workers.

Part III

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27.)  I read The Age of Innocence in the summer of 2013, while working at the AkçakaleTal Abyad border crossing.

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28.) The Age of Innocence is not about war, yet Edith wrote it after experiencing a war.

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29.) The Age of Innocence is not violent or cruel, like its predecessor, The House of Mirth, yet Edith wrote it after witnessing violence. She wrote it after seeing the impact of human cruelty on the bodies of women, men and children. From the war, Edith—an expat, always more privileged, always safer—didn’t shrink into cynicism but grew her own capacity for generosity.

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30.) One day in late August 2013, I was curled up with the book in a dusty plastic chair in no-man’s-land between Turkey and Syria, waiting for a drug shipment to clear the crossing, bound for three health centers. Gunshots shattered the air. They were close as fuck. Surrounding me, security men whipped out their Nokias, texting furiously to Continue reading

A Series of Facts about Edith Wharton, for Aid Workers. Part II.

This post is written by Rachel Unkovic, an aid worker, artist and oral historian. This is the second post in a serial, you can read the first post here.

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Photograph of Edith Wharton, taken by E. F. Cooper, at Newport, Rhode Island. Courtesy of the Beinecke Rare Book & Manuscript Library, Yale University. Source: Wikimedia Commons

A Series of Facts about Edith Wharton, for Aid Workers.

Part II

16.) Edith published The House of Mirth in 1905. Picture it: 1890s New York City. Lily Bart, 29 years old and beautiful, becomes embroiled in romantic scandal. She spirals into a tailspin, descending from New York City elite to the margins of society, where she dies, impoverished, in a delirium of drugs, suicidal, clutching an imaginary child to her breast—drowned by beauty and cruelty.

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17.) The House of Mirth has been called “a vicious indictment of a morally corrupt upper class”. It was the world that Edith had been born into. Her rage flashed and scorched.

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18.) The House of Mirth was very successful.

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19.) Edith divorced her husband in 1913. She left for Europe to wash him off her skin.

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20.) June 1914. World War I erupted. As other Americans fled, Edith stayed in Paris. She joined up, first as a funder, later as an organizer, with a group of aid workers. In August, they opened up a house where war-affected women could access food, work and cash.

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21.) Towards Christmas, as refugees poured into the Paris, Edith and her friends Continue reading

A Series of Facts about Edith Wharton, for Aid Workers. Part I.

This post is written by Rachel Unkovic, an aid worker, artist and oral historian. This is the first post in a serial–stay tuned for more.

The Age of Innocence ?1788 by Sir Joshua Reynolds 1723-1792

“The Age of Innocence” from which Edith Wharton derived the title of one of her books. Painted by Sir Joshua Reynolds, it was commissioned as a character study or ‘fancy picture’. Source: Tate (check out their website for more interesting stories about the painting itself)

A Series of Facts about Edith Wharton, for Aid Workers.

Part I

1.) Edith Newbold Jones was born on 24 January 1862 in New York City to a mother, a father, and two much older brothers.

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2.) The Civil War was raging. It depreciated American currency. Her mother and father whisked their three children off to Europe where their money meant more.

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3.) Edith was privileged as fuck. If you have heard the phrase “Keeping up with the Joneses” and wondered to whom it refers, allow me to introduce to you Edith’s father, George Fredric Jones, and her mother, Lucretia.

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4.) Toddler Edith would hold a book in her hands and pretend to read it out loud, making up stories, flipping pages periodically as if the stories were there on the ink and not just in her mind.

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5.) She was admonished that reading was fine, but writing was certainly not the occupation of a proper young lady.

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6.) In Europe, Edith learned to read English, French, German and Italian fluently.

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7.) Age 11, finally back in Continue reading

Know Your Why

This post is written by Leora Ward. Leora is an aid worker and life coach who supports women in the humanitarian and caring professions through her organization, Healing in Service.

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Leora Ward of Healing in Service

I was 24 when I first started working in West Africa, 25 when I moved to northern Uganda, and 26 when I took my first job in Darfur, Sudan. At the time, I got many comments from family and friends about my choice and decision to move so far away, to a war-torn country nonetheless. Some people found it idealistic, others thought it was “cute”, and then others called me a bleeding heart. I didn’t really take it personally at the time and never responded. The fact is that I didn’t have the words at that point to truly explain WHY I went into the humanitarian field. And, ever since then, I have bounced between altruistic responses about wanting to create a better world, to savior-like ones that sound something like, “well, someone’s got to do it!”

It wasn’t until much later that something clicked. I have coached women in the humanitarian and development fields for almost 2 years now. In doing so, I have gotten to know myself better and also understand the real reasons WHY we do this work. It seems Continue reading

The mo(u)rning after

This post is written by an anonymous contributor.

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“Cosmic Bruise” by artist Ivy Michelle Berg, available at: ArtbyIvy

Like many who work in humanitarian aid, when I am asked about why I do it, I dissemble and misdirect, I make a joke or change the subject without actually answering. Sometimes I tell the truth as a joke, and hide it in plain sight. “World Peace” is such a reliable cliché to raise a smirk and avoid the question. To say out loud why I really do it, to put those words into the air, is too hard. I am afraid of the look I will see in the other person’s eyes, and afraid of their judgement. I am afraid that if I am honest, I will have to say it through the medium of a jaunty pop song, possibly from the 80’s. Because the truth is, I do it because I believe in love and I believe love can make the world a better place. Saying it out loud sounds so adolescently idealistic, so sentimentally naïve at best, self-righteous, arrogant and sanctimonious at worst.

I left my job at the end of last year in a maelstrom of mess; stretched out to the point of coming unravelled, shattered by too many emergencies, and a level of hostility within the organisation that I was entirely ill-equipped to withstand, profoundly disillusioned. I felt like the worst kind of fool for believing in any of it, and no longer had any faith in my own judgement. In the months since then, I have been trying to work out what happened, to parse out what it was all about, and to find my way back to myself.

I know about fear, as so many of us do. I know about those moments of absolute clarity when we think we may actually die, today, now. I know about the exquisitely heightened alertness of being in a moment that could go either way; a checkpoint guard toying with Continue reading